The others being focus peaking, audio meters, preamp control, continous recording for concerts, proper Kelvin adjustment and so fourth.
Magic lantern canon sl1 software#
One of many reasons I use that software extension.
Magic lantern canon sl1 1080p#
Unified: LiveV -> ClearScreen -> WhenIdle (or Display -> Clear when Idle) AJ: Kill Overlay While these devices are capable of recording 1080p 422 signals, the HDMI output from the Canon HDMI is limited to 1620x1080 (3:2. These are actually recorded with bitrate set to 0.8 in Magic Lantern. So if thats a factor for you (d), then you kind of have your answer. Magic Lantern allows you to use an external HDMI recording device, such as Atomos Ninja or Hyperdeck Shuttle, by removing the focus box and other graphics from the display. Nope the colors don't match 100%, I've got to get myself a new proper monitor.Ībout the cards, nah the 600D, 550D and the other cheaper models have ******* SD card readers, they don't support the bandwidth of RAW recording for any usable resolution. Yeah, poor excuses but the results are acceptable.
Magic lantern canon sl1 install#
If you install Magic Lantern you can see it in the Magic Lantern 'Debug' Menu. It's lit with two cheap softboxes with a 116W halogen bulb inside each and I had almost no time to adjust the lighting, framing or seating the subjects properly. 5) There is a built-in shutter count but Canon chooses not to let the user see it. The contrast and color also goes to heck, so I graded these fairly contrasty. It's encoded at a fairly high bitrate of 16 mbps, as it's going to be re-encoded. Plus there's magic lantern if you want shoot video. You can pick them up for around 300 to 400, and they'll provide you with a few more features than the SL1. Sure, here's a link to an interview with a swedish rapper I shot for WiMP wednesday: (616 MB). You might be much better served with a used t2i, t3i, or t4i, on ebay. Then again, you seem to be mentioning Magic Lantern SDXC cards - does this mean that you're filming the Canon's in RAW video? The 5D MKIII has more resolution to work with, and it actually comes out when sharpening is applied.īut on my last shoot, I opted to go forgo my BMCC and shoot with two 7Ds and an Rebel SL1 (should be similar to your 550D and 600D sensors) because we were constrained on budget, and I wasn't confident in my ability to get the APS-C Canons to match up with the BMCC in post due to the difference in sharpness. Magic Lantern is essentially a software add-on that includes many features that are not included in the base menu system for Canon EOS cameras.
The one thing missing in Filmconvert in my opinion is green-magenta adjustment.Ĭan you post a link to an interview where you mix the 550Ds and the Blackmagic? I'd love to see it.
But they usually match pretty well in the end. Still have a hard time matching orange-yellows and some other colors using Filmconvert, which has profiles for these cameras. The Canon cameras can be adjusted +/- 0,5 to 1 stops or so in exposure, while the Cinema camera has at least 2 stops of usable exposure adjustment.Īll my Canons use Magic Lantern SDXC cards.įor the interviews I shoot, I light them to around ISO 800 F/2.8. For best results +/- 100K, and then tweak the saturation, depending on which lenses you use. You absolutely have to get the white balance correct on the Canon cameras. The Canon cameras all use Visiontech Picture profile and I grade the footage using Filmconvert in Premiere CC. MatsHelgesson wrote:I shoot interviews with two 550D's, a 600D and a Blackmagic Cinema camera in Prores Film mode.
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